In 1988 my first book was published: Don’t: A Woman’s Word, a memoir of my childhood experience of sexual abuse. It became for a brief few months, a sensation in Canada, primarily because of an interview I did with broadcaster Peter Gzowski which was aired on CBC, the national radio network.

My memoir has never been out of print in Canada and is taught in a range of university programs across the country. I have had reports of it being used as a text in Women’s Studies, family law, social work, nursing, Canadian literature, and once saw it listed for a course on medical ethics. It is a resource for therapists working with adult survivors of child abuse trauma. The book was published in England, Ireland and the US, translated into German, Dutch and French.

I toured Canada with the book for the better part of two years, giving readings, interviews, speaking at conferences and at community events for adult survivors from coast to coast. In 1990 I also toured in Europe and Ireland for 7 weeks. It was a heady and also grueling experience.

In 1996 I was a writer in residence in rural Saskatchewan for a year, again doing readings, meeting with local writers, teaching workshops in primary and high schools as well as adult workshops.

1998 was a pivotal year for me as I was finally able (with a great deal of help and support) to realize a long held dream to move to the Maritimes. Here I found work as a ‘transition coach’ working with older adults and for me the best part of the job was hearing the stories of each person I worked with.

Our stories need to be heard. It was (and still is) amazing to me how transformative being heard was. The first time I read from my manuscript, I did so in a near whisper, so certain I would be dismissed (as I always had been) and not believed. I worried that I’d be met with indignation and wasn’t at all prepared for the compassion and caring I received instead. When one of that first small group of listeners asked me if I could speak up I said no, and kept on reading in a barely audible voice, the best I could do at the time.

Our stories have power, first in our own lives, but also in the lives of our readers and listeners who are moved by the words and witness to the telling.

Over the years my books have continued to sell in very small numbers and most stores no longer had copies in stock. I wanted to do something about that. With help (once again) I was able to purchase the rights to both Don’t and Beyond Don’t with the goal of making them more readily available. To that end both titles are now Kindle ebooks and available at Amazon.com. You can read ebooks even if you don’t own a Kindle by simply downloading the free Kindle app to your computer or other device.

If you are interested in buying a signed collector’s copy of Don’t: A Woman’s Word please contact me.

A new age in publishing has dawned and I am beyond excited to be a part of it. Last fall I was given a Kindle reader as a gift and I must say, while I love the feel of paper books and have a vast collection, I love the convenience of having 200 books on my Kindle. All my favourite Victorian writers are there on the svelte little gadget as well as writers I’m currently reading.

As a writer, the Kindle is even more interesting and exciting. I can publish my work to Amazon.com and Kindle readers all over the world have access to it. Not only can I publish, but I can earn more from one Kindle sale than I ever did from a single sale of a paper book, while charging significantly less.

My first project is now live as a Kindle book: Patriarchal Social Scripts and Child Sexual Abuse. In paper it would be called a chapbook. It is in fact an essay I have long wanted to publish but had never found an appropriate venue for. This short piece is part memoir and part political analysis. I hope it will generate discussion.

Several other projects are in the works.  Look for more Kindle books from me in the very near future.

Note: you can read Kindle books with the free Kindle Reading App on any computer.

Writing a memoir is first a self reflection exercise and only second, a distant second at that, something you may want to circulate to family and friends or publish.  There’s nothing that requires you to publish something just because you wrote it.

Memoir writing is a process, and you can stop once the process is complete for you. It is your decision, no one else’s.

You may feel compelled to explore only one aspect of your life. For example, a troubling, humbling or passionate relationship requires you to reflect on it so you can better understand what it means to you and what you have learned or may yet need to learn from it. This exploration and writing is for you alone and there is nothing wrong with that. You may at some future time feel that what you have discovered merits crafting into a story, but that will be a very different process from your initial writing to understand.

Crafting a memoir once you have done the exploration of your life stories, significant events, and themes is a completely different task than writing to see what you think.  In the first instance you are an archaeologist of the past working on likely hunches about what there is to find, digging in lots of places, on the chance that you’ll find something of value to you.  Once those finds are recovered the hard work of analyzing and integrating them into your life story begins.  Finally, if you choose to do so, you can write up your report–a formal memoir, with all the tools of the writer’s craft to help you create the finished piece.

This is always much more work than we expect when first we think we’d like to create a memoir.  Rare is the person (and that may be fantasy) who sits down and writes a memoir in one blazing draft.  And I wonder, what would be the point of that in any case? There are nuances and gifts in our stories, why would we rush through them and miss all that?

The person who begins the memoir process, will grow in understanding and become a more fully alive and aware adult. For me that’s the point of the exercise. Rushing your exploration notes to print does you a disservice and will only annoy potential readers.

As always, I welcome your thoughts in the comments.

It’s winter, the days are short and often cold. It’s difficult to get going at anything as we focus instead on staying warm and eating comfort food. Motivation is in a definite slump.

Winter is also a perfect season for self reflection, musing on our lives and indulging in our memories. This is the important background work for any life writing or memoir project. You may not be writing much at this point, but thinking counts as memoir work too.  You’ll want to remember this as you get further into your project.

Ideally you’ll be making a few notes, or lists; jotting down ideas or names of people or events as you do this deep thinking. You might want to dig through some of your family photographs and do some musing on them too.

When motivation is low, rather than beat yourself up about that, do something else that will help you come back to focus and forward movement eventually.  If you’re not sure what that is, try a free writing exercise.

Pick a word at random from a book or magazine, or ask someone to suggest one and write for ten minutes (timing yourself) about what ever that word suggests. You may or may not actually use the word for anything other than to get you started and what you write may be ‘all over the place’.  Not a problem, you’re using your writing muscles and getting a little exercise, that’s enough.

Life writing is an opportunity to enjoy all the events and people of your life in a new and likely even more interesting way.

Why?

Now you have something delicious called perspective, and a wealth of experience that enables you to fully grasp the significance of what you’ve been through, you’ll see what you learned and how important that learning is. You’ll recognize those beautiful serendipitous coincidences that brought you to the right place at the right time, and introduced you to valued friends, partners and opportunities.

You’ll see the bigger picture and what could be more life affirming than that?  You will begin to see the meaning of some of what has come into your life, be able to acknowledge the connections, the themes and the importance of those in your life.

Once you have the main people, events and memories noted, you can begin the process of crafting your story to share with loved ones.

I’m creating a Memory Workbook to help you sketch the important bits, and to help spark your memories. I’ll be releasing it in the next few weeks. In the meantime, get yourself a notebook, find a comfortable pen, and start jotting down things you remember. Make a list, it doesn’t have to be more complicated than that.

Let me know how it’s going in the comments.

There are times in life when the only way to find clarity is to write the hard stuff. We all have some of that, and fortunate the folks who don’t have very much.  No matter whether it is a little or a lot, its tough and sorrowful.

Clarity is not the only thing to be gained from tackling and writing about the hard and painful bits of one’s life. There is also, eventually, the possibility for resolution and even peace around the issues. Not easy, rarely a fast process, but definitely a possibility.

What exactly do you save your life from? The main risks are bitterness and living a half life (with the other half caught up in keeping the hurt from surfacing).  It is very difficult to bring joy into your life if all your energy is going into keeping the lid on sorrow and pain. We fool ourselves into believing that’s easier, get stuck on a roller coaster of busyness going so fast we’re always near ready to drop with exhaustion, but at least we don’t have to think or feel anything.

Facing the hurt and sorrow on the page is much less draining and a lot more life affirming than always running to out-distance yourself from it.

Yes, it’s a risk, no one can guarantee that it won’t hurt like hell. Chances are good that it will be a cathartic pain, that will lead you to resolution because you have left the burden of it on the page. No, you won’t forget either the pain or the sorrow, but you’ll have something you may never have imagined you could have–a new perspective.

Is it worth it? I believe so. In my experience it was, if that’s any help to you. All it takes is courage and commitment–you have plenty of that to draw from or you wouldn’t be reading this!

Let me know how it is working for you in the comments.

I have stash of photographs from my childhood years, a few from the years I was married and progressively fewer as I get older. There were years in my 30′s and 40′s when I wish I’d taken more photos and had more taken of me to record what I was doing, and how I looked.

Memories are embedded in any photograph and that’s why we keep them, never edit or toss out even the really rotten ones because it’s the only one showing a favourite friend or place or the only record of a trip.

So how can we use photos to jog memories loose and write them down?

The short answer is that it depends on your project. If you are writing about a trip you took with your mother, you can gather the mementos and photographs relating to the trip and use them to build your story of the trip. If you are looking for a detail regarding something in your childhood, you will want to search all the relevant photographs in the years you think might yield that information.

If you are trying to access a memory the process is slightly different. First, you will search any photograph that seems related to that time. Do a preliminary search through your photos and make a stack of those you think may be useful. If your photos are all in albums, you will want to figure out how to select them without trashing your albums. This process tends to work better with loose photos. Then take a break, a few days, a month, whatever feels right, but take a break.

When you are ready to look at the photos again, choose a time when you will not be disturbed for a couple of hours, when you are not distracted by other stuff in your life, and without tv or radio in the background. You need a clear mind for this part of the process. Turn your stack of photos upside down. One at a time, turn each photograph upright and look at it closely. If you feel or notice something, a pull, an emotional charge, put the photo to one side. If you don’t feel anything in particular, put that photo on another pile. Your object here is to do a sort through your photos noticing which ones have something to say to you, and which ones don’t.  You may change your mind later, but for now, don’t worry about that.

Now you have two stacks of photos. Go through the stack of photos that didn’t seem to speak to you.  Are there any that you want to move to the other stack?

Spread the photos that you feel some emotional charge from on the floor (if there are a lot) or on a large table. Do these photos ‘tell a story’? Do you see connections or themes? Are the same people in most of the photos? Spend a bit of time just looking at the photos around you, then gather them up and put them in an envelope or box so they are kept separate from the rest of your photos.

Once the photos are gathered, take 20 minutes and write your impressions of the experience, whatever comes to mind, feelings, memories, ideas, anything at all. Don’t worry if it isn’t a story yet, that will come. Right now you need to capture your more immediate reactions.

Searching through your photographs can be a big emotional event. Take some time to process it, write about it for a week or so, but don’t go back to the photographs yet.

Let me know in the comments how this worked for you…

A family reunion is a memoir writer’s dream resource. This is primary research on a grand scale.

Imagine a collection of all the significant people in your extended family and their partners, wanting to get together simply to share stories. Okay, yes, they’ll want to party as well. You should probably consider going into marathon training before such an event to make sure you have the stamina required to cope with all the information, connections and stories you will encounter.

You will definitely want to prepare questions, and learn to use a video camera or tape recorder.  Scribble notes at the speed of light of who has what resources in terms of documents, photos or written materials you may want to consult.

If you are organizing such an event make sure there are story telling corners/venues where people can gather and share what they know. With permission, record these sessions.

If there isn’t already an extensive family tree, have a family tree roughed out on large poster board and encourage people to add missing names and dates to it.

Above all, connect with others in the group who are also writing personal or family memoirs, as there are sure to be several.

Do you have experience of a family reunion? How did you, or will you use what you learned in your own memoir?

One of the most challenging things you will encounter as you write your personal stories is the need to tell the truth. Most of us live our lives with so-called acceptable versions of the truth, truths stripped of as much pain as possible, truth that is at best faint, at its worst no where near the truth.

I’m not writing here about facts, what I want to bring to your attention is the need for emotional truth. Your unique, personal, emotional truth.  What events and circumstances really felt like, what their true impact on your life is or was.

Too often we think it is easier to dismiss emotional truth, afterall, we’re adults, let’s just get on with it, or over it or ignore it.

There’s a significant cost to papering over the emotional truth of one’s life. We learn to live half-lives, lives where we are so desperate to avoid being alone with ourselves that we get into all manner of scrapes, behaviours and situations, just to make certain we are never, for any extended time, in our own company.

It takes self-reflection and honesty to come to know and accept who we really are, to know the truth of our lives, all the warts and foibles, and all the joys. You can’t do this when the only time you spend alone is in the shower.

We need to make a commitment to discover the truth of our lives, and that commitment requires time for self-reflection, time spent alone.

The benefits of taking the time to get to know who you really are, are significant. You will live with less fear and more integrity. You will be stronger. Best of all you will be happier and more able to welcome joy into your life.

That’s worth quite a bit, don’t you think?

So get that notebook and pen out, book yourself a nice block of alone time and start your self-reflection and the journey to your true self. I’m sure you’ll be amazed.

Everyone who writes or wants to write needs to carry a notebook and pen. It doesn’t matter whether you write notes to yourself, grocery lists or ideas–you need a notebook with you at all times. Ideas can be flighty, if you don’t capture them when they land, they’ll be gone, too often for good.

You don’t need an 8.5 x 11 inch notebook, unless you carry a  big bag or backpack and feel you’d prefer one that size. What you need is something small. I like the small Moleskine notebooks because they fit into a purse or pocket. There’s enough space for notes or a few minutes of writing time in a cafe. I always have it with me and get a bit antsy when I’m near to filling up the pages and haven’t connected with a new one yet.

What goes into a notebook? If I’m in a cafe and overhear something interesting, that goes into the notebook. Sometimes I’ll do a character sketch based on an overheard conversation or interaction. If I see a book I want to read in a bookstore but don’t have the cash to purchase it, the title and author go into the notebook. Suggestions from friends for movies to see, books to read, places to visit, people to talk to–all of that lands in the notebook. When I’m working on something, I often move to a cafe for a couple of hours to get a different perspective (and treats), so will write notes and thoughts in my notebook. Recipes go into the notebook–often a bit too cryptic to be useful, but I usually write the source of the recipe so I can track it down if I want to.

Anything I want to remember, think about, my observations and questions, anything at all can land in the notebook.

When working on a memoir project, you won’t be working only during your designated writing time. All sorts of pieces of memory, impressions, thoughts, feelings and a million questions will drift by, no matter where you are or what you are going. Get them on the page of your notebook as soon as you can (please, not while driving!).

Your notebook is the primary resource and tool for your project, so don’t, ever, leave home without it.